Always Be Dancing Expressive Arts

Yoga and Flamenco for Every/body


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Flamenco Arms

flamenco armsFlamenco Arms

There are many different styles of arms, elongated and elegant; strong and sinuous. There is the classic style, lifting from the elbow or the modern style, with elbows bent and lowered first, riding tight to the body. Some arms are wild and unschooled. While still others are technical and calculated. All styles, when they are compatible with the dance, are authentic.

Your arms are never just your arms. They are an expression of your art. Next to facial expression, arms and hands are the most expressive element in flamenco dance. They capture attention as they create line, rhythm and feeling. They are the most difficult technique to master.

Learning to use your arms as part of your overall body line is of utmost importance, no matter what your style is. The arms must be extensions of the shoulders, chest, hips and legs. Arms held overhead are rarely held high enough and droopy arms are distracting and are definitely not flamenco!

 

To create the sweep for classic flamenco arms you must grow wings! Spread your back wide and lift your arms. Keep this image of wings as your back body spreads open to cradle the front body. As arms rise, shoulders must stay down and back. Not wrenched back, so that the shoulder blades pull in, but spread wide open to make the arms even longer than they already are. This is the key to the elegance and gypsy arrogance held in flamenco dance. Elbows must remain high throughout the movement as the shoulders remain down.  Feel the the initial extension of your wings from deep within muscles between the shoulders.  When you arrive at “T” position, shoulders must drop over the back of the rib cage. This will cause the front body, around the collar bones, to open wide, like a display case. There you will imagine that you are wearing a beautiful diamond necklace. This area is your display case, lift it up and display your necklace! Wear it proudly.

The arms must have energy all the way to the fingers; use Dynamic Tension. Feel your arms moving with the strength and unity of the whole shoulder girdle. 
Feel your arm pits are deep caverns with vaulted ceilings. You can create a small hollow opening inside as if to cradle a very ripe, very juicy apricot (do not squish it or drop it).

The passage of the arm must go through all the “stopping” points (3, 6, 9, 12 n  clock face) and create the shape necessary at each point (ie Never just bring your arm up with out passing through:  low “v” to “t” position to high “v” etc…). In low “v” & 6 o’clock,  make sure you do not compress the arm pits. 

Arms must always be controlled. Never throw them around as if you are directing air traffic. Arms are under constant tension. You can imagine from the torso to the wrists, as your arms rise, that an elastic band is pulling tights. Feel the tension, but do not show the tension. There is a buoyancy as they rise, like they are pushing through water. Keep the gently descending line from shoulders to elbow to wrist to finger tips. This picks up again as the arms pass through “T” position and then again the dynamic tension is created from the arms back into the body.  Make sure your arms flow.

A little about hands:

Hand movement are very personal and your hands are an extension of your personality and the emotional content to your dance. They are the fine sable hairs at the end of a paint brush. They add flourish, punctuation and can pull energy into your field or press it away. They add the final important details to your dance. the hands move from the circling of the wrists. The wrist circles do not involve any other part of the arms-so pay attention to your elbows!

 

There are two hand movement styles:

  1. Gypsy: The little finger leads the way in opening and closing the hand-like a fan opening and closing.
  2. Classic: The middle finger leads.
    • Keep thumbs in as you turn your wrist.
    • SEQUENCE: palm, fingers, wrist, fingers
    • Bend wrists as much as possible. Bring your finger tips towards the very inside of the wrist before making the rotation. That is your accents point. The unfurling carries the rhythm till the next accent.
    • Hands move with rhythm not randomly.

 

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Cultivate Your Flamenco Body

Cultivate your flamenco body

My yoga teacher, Barbara Benagh used a metaphor for cultivating a plant in relation to growing a pose in yoga. This metaphor really resonated with me and I brought it with me to flamenco class this week.

At the beginning of class, we explore the body structure to be held during flamenco and  I describe the process physically:
*Feel a long lower back
*In return you will feel a response in your belly, a lifting in your belly
*Bring your belly into your spine, so you fill out your lower back
*Feel your side ribs lifting
*Have deep arm pits
*Lift your shoulder girdle up and then drop it over the top of the rib cage
*Do not pull your shoulders back, instead open your upper back wide
*At the same time, open your chest up wide too
*You need a micro-bend in your knees and elbows
*Pull the back of your cranium into your neck for a long straight line from tail to crown of head
*Eyes are down cast (hooded) in a far off type of way (do not look at the floor)

This week, however, I led the class using visualization to allow my students to create new habits in forming the flamenco body:

“When you want to plant a flower, you first need to till the soil, nourish it, plant the seeds, water it, and then sit back and wait to see the blossom….now in relation to the flamenco body. If you imagine that the soil line is at the hips, so your legs and your feet are the roots below the surface. The roots grow down and ground the dance to the earth. From the waist up is the blossom, growing from the soil line (which is your hips). This is the blossom.With good, strong roots, you then use the upper body to create the shapes and lines true to flamenco, building out of the hips and allowing the legs and feet to move separately.”

This is a much different image than if you imagine the feet are rooted to a soil line right below them. In this scenario, the legs are not rooted in the soil. But with the soil being at the hip line, you can instead imagine the legs to be strong roots growing deeply down into the soil and then allow the feet to hold you to the earth.


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Eve Costarelli’s preliminary teaching and performing schedule for 2016-2017

Dear Students & Families: past, present and future,

Welcome to my preliminary teaching and performing schedule for 2016-2017. All programs are inclusive and are adaptable.

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  1. This year, as lead youth/teen yoga and mindfulness instructor at Open Spirit Center, Framingham and their Nourishing Teachers, Strengthening Classrooms project, I am aiming to bring yoga and mindfulness to target populations of students and faculty at Framingham High School and Hoops and Homework, an award winning After School and Summer Program serving the most under privileged kids in Framingham, MA. *** My ability to reach these populations is determined by grants and private donations though the Open Spirit/ Nourishing Teachers, Strengthening Classrooms Project. For more information, please visit our donation page.
  2. I will be at Mini Miracles Childcare Center with Eve’s Awesome Yoga for ages 15 months-6 Years. Classes here are only available for center enrollees. 
  3. Anthony Tiriti Tran and I continue our educational program, ¡Olé Flamenco! with both Young Audiences of Massachusetts and Celebrity Series: Arts For All! We can come to your school or community gathering! All programs are inclusive and adaptable.
  4. On the performance front, I will be dancing for the Boston Arts Consort and Song Caravan. On the stage, you will find me either dancing traditional flamenco or my beautiful creative gypsy-freestyle, which blends my life of dance into my own artistic expression.
  5. I am available for *private and semi private work, site specific choreography, educational presentations and master classes. *My private lesson slots are filling fast.
  6. This summer, I had the awesome opportunity to bring yoga to a BINA Farm/Warrior Thunder Foundation event and I hope to do more work with both organizations.
  7. On Saturday September 24, 2016, I will be participating in Open Spirit Center’s Day of Spirit. Please join me for my gypsy-freestyle class and how mindful movement assists in freeing your artistic voice. Check Open Spirit Center/ Day of Spirit for more details
  8. Just throwing this out there: I am looking to create a 11+ yoga boys class. If you are interested or know of anyone, please share my information with them.

Please contact me for more information. All programs can be tailored to fit your needs. 

Thank you and Remember to Always Be Dancing!

¡Olé Namaste!

Eve

 

 


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Eve’s Awesome Yoga comes to Early Education Alliance of Framingham and Ashland

IMG_0269Emotional Health: is the ability to deal with your emotions in a way that is healthy for you and for those around you. Social-emotional development influences all areas of development,  from intellectual to  motor to interpersonal skills. To feel strong within your own skin, there needs to be a balance between the information you take in, and then your ability to healthfully ingest, digest, absorb and expel it.   The greatest challenges lie in being able to communicate even when dealing with the strongest emotions, such as anger, frustration and sorrow. It is natural to feel these emotions, but how we respond to them is what separates us. Laying a path to healthy emotional security is being able to acknowledge the varied feelings you have, but being able to respond rather than just automatically react is what will help you remain strong, confident and flexible in difficult situations. If you, as an adult, can demonstrate this to your child, you will help them learn by mirroring a natural and comfortable way  to express their emotions without harm.

Craft: “Breathing” Dragons: Since the activity before class was for such young children, I modified the craft. We took paper coffee cups and cut out a large hole in the bottom. Then each child, with the help of a parent/caregiver, if needed, put glue around the inside mouth of the cup and then glued strips of colored tissue paper flowing out of the cup. There were small pompoms for eyes, some kids used two eyes, some three, and even a few ones. When finished, we put them aside to dry and then gathered in the yoga area.

Ringing the Chime: Calm, quiet breathing. We ring the bell, gently swinging the two sides of the chime together. Take a breath in with your nose, like you are smelling a flower, cookies baking, fresh mowed grass, and slowly allow the breath to seep out your nose, a soft stream just trickling out through your nostrils, as the bell continues to echo. Carefully pass the chimes to the next person, trying not to make any sounds in between. Of course there are many types of chimes and bells that can be used. I like these chimes, because of their weight and their sound. Kids really enjoy being able to do this themselves and I find that all children can do it alone, given enough time and to assist only when needed. It is very rewarding for them and its fun! I strongly suggest that any person sharing the experience should take a try and ring the chimes. That means teachers, parents, kids…we even gently chimed them in front of any babies present and they connected to the sound immediately and smiles lit up on their tiny faces!g loud, quiet…pp347

Demo Strong vs Soft breathing (cannot/can blow out candle): Usually I focus only on breathing in and out of the nose during yoga, but for this exercise, we took a breath in with our noses and then out with our mouths. For the “soft” breath out, we did a gentle exhale, one that would not blow out a candle. For the “strong” breath, we exhaled fiercely.

Breathing: STOP acronym for parents and care givers: S” Stop; “T” Take a few deep, calming breaths; “O” Observe yourself and the situation at hand so that you can respond rather than react; “P” Proceed.

Hoberman Sphere:  (the link in this title shows the sphere in action) This is the best all around visual breathing assistant. When it opens, you inhale and imagine you belly expanding; then as you exhale, let it close as your belly softens. It works for all ages and all abilities. Kids love to use the ball, as do adults. The Hoberman sphere is a structure resembling a geodesic dome, and which can fold down to a fraction of its normal size. The scissor-like action of its joints enables it to do this. If you look at it closely you can see a pattern in how its structured.  It is made up of triangles and hexagons (the regular sized toy, that is.) It is a beautiful toy both aesthetically and structurally. It is truly a mesmerizing toy where form follows function. 

Butterfly Sequence w/ Fly Like A Butterfly: Sit with bottom of feet touching. Gently flap the legs and sing: Fly like a butterfly, fly like a butterfly, fly like a butterfly up so high (two times); Next place hands together by the side of the head to represent “sleeping” and sing a little more softly: Sleep like a butterfly, (switch hands to other side of the head) sleep like a butterfly, (switch one more time) sleep like a butterfly through the night (repeat, this time sing as quietly as possible and then even just move lips and say words); hands go behind you now on the floor and you sing more robustly: Soar like a butterfly (lift up right leg and put it down), soar like a butterfly (lift up left leg and put it down), soar like a butterfly up so high (Both legs up-body is being held up by hands on the floor) (second time through at the part when both legs are up, try to release hands from the floor and even try to flap like butterfly wings) color-3B-butterfly%2872%29[1]

Little White Duck: Use the book that is based on the Raffi song (Here I interject that I highly recommend Raffi for his great kids music. He sings folk songs and is utterly appealing to kids and not bad on the ears for adults. Also, Dan Zanes. Love love love his kids music.) It is a simple book with an accompanying song. ..There’s a little white duck sitting in the water, a little white duck, doing what he oughta…In the book you have duck pose (squat and flap wings and say quack quack quack), take a bite of the lily pad (make a bite sound and rub your tummy), frog pose with hopping and ribbits (then have them jump back to their lily pads-whatever their space marker is), bug pose (lie on back with feet and hands in the air and say buzz buzz buzz); snake pose (on you belly, add hissing and squiggling); when there is no one left in the water, we all pretend to cry, boo hoo hoo. In the song their is the refrain “I’m glad” and I always cue the kids to sing with me at this part, “I’m g…….!” This book is full of fun onomatopoeia for kids!  Little-White-Duck-9780316733977

Breathing Dragons: Get your (now dried) Dragon Breath craft. Strong breaths. Soft breaths. I once again talked about the differences between  strong, happy, athletic breath and soft, calm, relaxing breath. The strong breaths really whip up the tissue paper, making the dragon breath fire. The soft breath, a gentle rustle is all.

Mindful Movement Series:  Here I combine flowing yoga poses, rhythmic passages on the feet, clapping, snapping, counting. Doing things with a flowing sense of synchronicity in a group, is a feel good activity. The movement, the community, and  the rhythm all blend together for a fun, positive experience. I like to use a variety of songs, but some of my favorites include: Sleep Tonight (Junior Boys Remix) by Stars; All That Meat And No Potatoes by Fats Waller; Tangos De Mi Novia by Son De La FronteraIMG_8293

I Am Happy: Verse based meditation technique. Combines vocalization of the affirmations good and happy, the vowel sounds and some laughter yoga. See Eve’s Awesome Mini Yogi Yoga comes to Mini Miracles Childcare Center, Framingham, MA 

Yogini Went To Sea (click this title for a link to the video): The greatest standby song/dance/meditation on the planet. It combines tapping, repetition, a fun sound track (by my dear friend Shakta Khalsa) and many many giggles. By singing and dancing, your mind is focused in the moment, adding an element of mind calming). The words are: Yogini went to sea, sea sea; to see what she could see, see, see; but all that she could see, see, see; was the bottom of the deep blue sea, sea ,sea (tap forehead); Yogini went to jai, jai, jai… (tap upper arm at bicep); Yogini went to knee, knee, knee (cross body tap of opposite knee); Yogini went to oowajawa, to see what she could oowajawa, but all that she could oowajawa, was the bottom of the deep blue oowajawa (rub tummy); now of four motions in order: Yogini went to sea, jai, knee, oowajawa…. (tap forehead, tap arm, tap knee, rub tummy). As kids get older, I have them start with one hand, switch as the song gets faster and then on the third and fastest time, keep switching hands.

Savasana: Body scan deep relaxation script

 

Create the scene for a quiet relax time.

Everyone please rest on your back or your tummy. Choose the one that you feel will be most comfortable. The one that will let you be restful and quiet. Breath in through your nose, like you are smelling a delicious flower or some yummy cookies baking and as you breath out through your nose, you can feel your whole bod, from head to toe, relax.

  • Settle into your space/bed
  • Breathe in, out
  • Notice how the breath in fills you up with air, like a balloon, and you feel light and free.
  • Feel how the breath out allows your whole body to soften and relax; you feel like your body is just a cloud floating in the big blue sky..
  • Can you allow yourself to be very still and quiet? This means your mouth is not talking, your body is not moving and your mind is not trying to figure things out.
  • Breathe in, out
  • I am going to tell you to think about various parts of your body. I do not want you to touch these body parts, just allow yourself to think about them. Bring the attention to their heads, arms/hands, belly, legs, feet/toes. Pausing to breath in/out between each body part. Tell them to feel light, free, happy, good, friendly, still, healthy, loving, lovable, whole, complete, perfect. Say nice things to them. Then be silent. Maybe for a minute. Maybe longer?

IMG_2770

¡Olé!IMG_2771

 

                                                    All written material is the sole property of Eve Costarelli, DBA Always Be Dancing Mindful Movement/ Eve’s Amazing Yoga/ ¡Olé Namaste!


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Book Review: Red Turban White Horse by Nadini Bajpai

Red Turban Whote Horse

I just finished reading the delightful debut YA novel “Red Turban White Horse” written by the local author Nandini Bajpai that is set in the Metrowest (of Boston) and is full of thinly disguised local references. For someone, like myself, living in the region, this is a tasty treat!

The heroine of the story (Padmini “Mini” Kapoor) is a resourceful, caring teen who comes in charge of orchestrating her older sisters wedding while at the same time a hurricane is barreling down the east coast. Mini is a generous soul and armed with the current know-how of how-to-get-things done, she sets about to get everything in order from location to caterer to finding their mother’s lehengas (a skirt that is long, embroidered and pleated) that have been packed away for many years so that her sister can have the fairy tale wedding she deserves.

Wedding Lehenga

Start with the rich descriptions of the beautiful fabrics of the lehengas, from the gold and cranberry to the raspberry and silver, add in the mouth-watering descriptions of the delicious aromatic curries, warm crusty garlic naans, fragrant rice and Tandoori chicken, and then sprinkle in sweet, youthful romance and strong family values and you have a little slice of swarg!

I highly recommend this YA novel! It is a fun romp through Indian-American culture, with strong, likable characters and lots of local flavor (I did reach out to the author and she indicated that the little takeaway that comes to Mini’s rescue is loosely based on a diner on Route 9 in Framingham called Welcome India. I can’t wait to try them sometime.)

Full disclosure: I stumbled upon this book at the LOCAL library book sale! All opinions expressed are my own.


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Dance In The Schools 2015: Life Cycle of the Yoga Butterfly

Waiting For Wings by Lois Ehlert

Today was the final day of Dance In The Schools 2015 at the Baldwin School, Cambridge. My classes were based on the life cycle of the butterfly (current with the 2nd grade science curriculum) and the concepts of senses we know (touch, sight, smell, hearing and taste) and then the ones we don’t know as much about (proprioception= an awareness of our bodies in space and the vestibular system=balance, gravity and movement information though our inner ear).

The best thing about yoga is that it allows for a sensory experience in a safe/non-competitive environment. You can manipulate your body in space, using poses, breath and meditation to clear pathways to achieve balance.

Breathing Sticks (once again, I noted to them to practice their breathing once they got their sticks)

Sa-Ta-Na-Ma meditation

Waiting for Wings/They have eggs to lay...What is the Butterfly Life Cycle?

Egg (usually laid on a leaf)

Larva/Caterpillar (eats leaves to grow)

Pupa/Chrysalis/Cocoon

Adult butterfly/moth

What is metamorphosis?

Interesting facts:

  1. Butterflies are active during the day feeding on flowers. They suck up the sweet nectar with their long, curly tongues. That is because butterflies cannot bite or chew.
  2. There are about 150,000 kinds of butterflies and they and their caterpillars come in all sorts of colors and sizes.
  3. Butterflies Like all insects, they have six jointed legs, 3 body parts, a pair of antennae, compound eyes, and an exoskeleton. The three body parts are the head, thorax (the chest), and abdomen (the tail end). Most have four wings. The wings of butterflies are covered with tiny scales that seem to shimmer in the daylight. Some of them are brightly colored. Others have bold patterns or scary eye-spots. When a butterfly flashes its wings at its enemies, it confuses them, and gives itself time to escape the danger that they might be in.
  4. Butterflies and moth belong to the order Lepidoptera. Lepidos is Greek for “scales” and ptera means “wing”. Monarch visiting Mums

Waiting for Wings by Lois Ehlert

Out in the fields, eggs are hidden from view. Child’s pose

clinging to leaves with butterfly glue. Stretching child’s pose. Fingers crawl to the left and right to stretch sides.

Soon caterpillars hatch. They creep and they chew. Creep forward into inchworm.

Each one knows what it must do. Press up to cobra. Add hissing and snaking back up and down.

Find a place where winds don;t blow, Locust.

then make a case in which to grow. Bow.

Caterpillar changes now begin– Rock and roll on belly, release. Rise up to standing position.

body and wings take shape within. Tapping.

When it’s time, each case is torn– Willow tree and joy breath.

wings unfold; new butterflies are born! Star Pose.

They pump their wings, get ready to fly, Add cross body kicks.

then hungry butterflies head for the sky. Yoga Jumping Jacks.

Looking for flowers with nectar to eat, Standing flower pose (tree)

they catch a whiff of something sweet.: Join a partner for partner tree/or group tree

They follow that fragrant scent of perfume, Melt to the floor. breathing in and smelling the delicious odor of fresh flowers 3x.

until they find our garden bloom.: Seated flower

We’ve been waiting for wings! Seated bat (opening flower)

We watch them circle, land on their feet, Lay on back and hug knees to chest. Legs up towards ceiling, as if walking on ceiling. Foot circles, both directions. Point and flex and then walk on ceiling and then bicycle.

unroll their tongues, and begin to eat.: Rock and roll. Grab feet, happy baby.

They dip and sip, Feet down. Simple lying twist.

then fly away, back home to the fields… Full body stretch-like a gingerbread man.

They have eggs to lay.: Savasana

Song (sung to the tune of Pop Goes The Weasel)…I tried!

I spin and spin my chrysalis

I stay inside to rest

When I come out….Metamorphosis!

Pop! Goes the butterfly.

Of course we then did a rousing version of Yogini Went to Sea and then the Downward Dog Crawl Tunnel. Not taking into account the size of the room, proved to be a stumper for a moment. But I offered up the challenge to the class and we  were able to create a circle, which worked very well! I so appreciated the first groups problem solving ability!

Please enjoy the wonderful gift I received:

IMG_3897 IMG_3898 IMG_3903 IMG_3899 IMG_3900 IMG_3901 IMG_3902 IMG_3904 IMG_3905 IMG_3906 IMG_3907 IMG_3908 IMG_3909 IMG_3910 IMG_3911 IMG_3912 IMG_3913 IMG_3915 IMG_3916 IMG_3917 IMG_3918 IMG_3919 IMG_3920 IMG_3921 IMG_3922 IMG_3923 IMG_3924 IMG_3925 IMG_3926 IMG_3927 IMG_3928 IMG_3929 IMG_3930 IMG_3931 IMG_3932 IMG_3933 IMG_3934 IMG_3935 IMG_3936

Ole! Namaste!


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Emotion Cards: How to Dance With Heart (or how to access your emotional body while dancing)

Last night, I attended Ainoa performance in her school’s International Night event. I am so impressed with this event. First of all, it is a night solely represented by dancing-boys and girls alike and there are dances representing at least 12 different countries such as India, Mexico, Iran, Ireland, China and Peru. Ainoa’s dancing has reached a new level. She has found her self within the music, knowing the choreography, understanding the rhythms. We can call this the comfort zone. So now we attack the emotional content and how to express it to the audience.

Seated yoga sequence to balance the chakraschakra-flower-672x1024

Muladhara Chakra- root chakra- color red

  1. Easy pose (habitual cross leg first-both of us chose right over left). Feel sit bones. Show on skeleton model, where the sit bones are (Remind of the wrap of the psoas muscle and the Nerf ball.) Recross to non-habitual side and feel sit bones.

Svadhistana Chakra- sacral chakra- color orange

  1. Upavishta Konasana, with legs only as wide as the mat (short ways), with bolster under knees. Just resting arms on upper legs and letting head drop forward.
  2. Butterfly pose.

Manipura Chakra- solar plexus chakra- color yellow

  1. Easy seated twist. Right leg in front, right hand holds left knee. Recross. Left leg in front, left hand holds right knee.

Anahata Chakra- heart chakra- color green

  1. Bolster under shoulders and then moves after 3 breaths down the spine. Stopping and always taking at least three breathes in each spot. End with bolster under hips and do knees into chest. I pointed out to her that this is a back bend too. At first she did not believe e as she sees wheel as the only back bend, but I had her close her eyes and I told her to imagine she was standing on the edge of a pool and by leaning back, she was going to be able to dive in backwards. I could just tell from her energy shift that she was getting it.

Vishudda Chakra: throat chakra- color blue

  1. Ocean breath, in constructive breath, on in breath still holding, knees go out and on out breath pull knees back in towards chest, like a bellows.

Ajna Chakra: Third-eye chakra- color purple

  1. Release legs and let them rise to the ceiling (Make your body into an “L” shape-do not do shoulder stand). Make ankle circles in and out. Point and flex feet. Re-hug legs into chest.

Sahasrara Chakra: Crown of the head chakra- color white light/ glimmering diamond

  1. constructive rest. 1 minute mindfulness meditation.

Savasana- Chakra balancing

  1. Conscious rest

ZM-15Emotion Cards: How to Dance With Heart (or how to access your emotional body)

I started to create a deck of cards that have emotions and energies written on them.

I chose words that I felt were evoked during flamenco dance and by listening to flamenco music:

Adoration, Anger, Despair, Determined, Energized, Fatigued, Fury, Grief, Happy, Sad

These cards jump started Ainoa and she started to create her own deck, where she then proceeded to create her own definitions and how they could relate to dance (they key words are underlined):

Angry: scrunched up face; angry eyes; eyebrows narrowing; eyes on fire

Calm: laying on the couch and watching TV.

Clumsy: bumping into things.

Curious: wanting to uncover something.

Determined: refusing to quit.

Happy: smiling, jumping, breathing fast.

Funny: you can make people laugh or other people can make you laugh.

Mysterious: lifting up one eyebrow; skulking; looking everywhere

Nervous: you have to perform in front of 3,000,000 people.

Pushed: feeling forced to do something

Sad: someone died; crying; eyes drooping; looking down; not really moving; dancing energy in down

Scared: you see a monster.

Suspicious: not believing what someone is telling you.

Identify flamenco emotions. Choose three or four emotion cards

Looking on youtube for

    1. Silvia Moreno: bulerías https://www.youtube.com/watch?v=H_5PT1rwQEA
    2. Merche Esmerelda: Guajiras (Saura) https://www.youtube.com/watch?v=u_fZdzw_4v4
    3. Rocio Molina y La Tremendita: Bulerías https://www.youtube.com/watch?v=ZYaY4zZgTas
    4. Miguel Poveda y La Lupi “Triana, Puenta y Aparte” Tangos de Triana https://www.youtube.com/watch?v=pcbDYPO-uAU
    5. Tangos de la cava en Triana (El Titi) https://www.youtube.com/watch?v=bwc_pzvP3G4
ZM-34

Ainoa and Eve Sevillanas