Always Be Dancing Expressive Arts

Yoga and Flamenco for Every/body


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Eve Costarelli’s preliminary teaching and performing schedule for 2016-2017

Dear Students & Families: past, present and future,

Welcome to my preliminary teaching and performing schedule for 2016-2017. All programs are inclusive and are adaptable.

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  1. This year, as lead youth/teen yoga and mindfulness instructor at Open Spirit Center, Framingham and their Nourishing Teachers, Strengthening Classrooms project, I am aiming to bring yoga and mindfulness to target populations of students and faculty at Framingham High School and Hoops and Homework, an award winning After School and Summer Program serving the most under privileged kids in Framingham, MA. *** My ability to reach these populations is determined by grants and private donations though the Open Spirit/ Nourishing Teachers, Strengthening Classrooms Project. For more information, please visit our donation page.
  2. I will be at Mini Miracles Childcare Center with Eve’s Awesome Yoga for ages 15 months-6 Years. Classes here are only available for center enrollees. 
  3. Anthony Tiriti Tran and I continue our educational program, ¡Olé Flamenco! with both Young Audiences of Massachusetts and Celebrity Series: Arts For All! We can come to your school or community gathering! All programs are inclusive and adaptable.
  4. On the performance front, I will be dancing for the Boston Arts Consort and Song Caravan. On the stage, you will find me either dancing traditional flamenco or my beautiful creative gypsy-freestyle, which blends my life of dance into my own artistic expression.
  5. I am available for *private and semi private work, site specific choreography, educational presentations and master classes. *My private lesson slots are filling fast.
  6. This summer, I had the awesome opportunity to bring yoga to a BINA Farm/Warrior Thunder Foundation event and I hope to do more work with both organizations.
  7. On Saturday September 24, 2016, I will be participating in Open Spirit Center’s Day of Spirit. Please join me for my gypsy-freestyle class and how mindful movement assists in freeing your artistic voice. Check Open Spirit Center/ Day of Spirit for more details
  8. Just throwing this out there: I am looking to create a 11+ yoga boys class. If you are interested or know of anyone, please share my information with them.

Please contact me for more information. All programs can be tailored to fit your needs. 

Thank you and Remember to Always Be Dancing!

¡Olé Namaste!

Eve

 

 

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Yoga For Flamenco Dancers

Yoga For Flamenco Dancers: Mr. Thrifty Skeleton (Señor Esquelto Económico)

Basis for the sequence:

  1. Getting in touch with the spine and pelvis to coordinate movement with emotion
  2. Strengthening the ball of foot for tacaneo
  3. Arch of back/back-bends for Vuelta Quebrada
  4. Ankle strengthen for balance

Take a few moments to prepare your self for practice.

To get an understanding of the sensation of your spine and it’s ability to flex, extend, twist and lean, start on your back, legs out, arms resting by sides, just noticing which areas along your backs/spine touch the floor. I use a Mr. Thrifty Skeleton (Señor Esqueleto Económico), to refer to when describing bones and movement. Constructive Rest

After that, bend your knees into constructive rest, and then notice the changes that happen in relation to your back against the floor. With knees bent, it also made it possible to gently rock the pelvis back and forth. Using Señor Esqueleto Económico, you can see how the spine connects into the skull at the Occiput Occiputand how it runs all the way down to the tail bone. (Interesting fact: We are born with about 300 bones but by the time we reach adulthood, due to fusing, we only have 206). an-elegant-perfect-sunflower-in-a-flower-pot-vector-1650453Imagine that your spine sits into the pelvis as a flower in a pot. With good strong roots and good balance, the stem (spine) grows strong and the energy flows and is able to balance the flowering head atop with ease, grace and strength. The neck spine (cervical spine) is longer than you think. A good way to check into this part of the spine is to notice how it feels when turned and when the head is dropped forward towards the chest. You will notice a pull somewhere between you shoulders and you feel the full length of the neck. The neck spine has the greatest degree of rotation, then the lower back and hip spine (lumbar spine) and finally the middle section of the back spine (the thoracic spine). The joints in the lumbar spine allow for forward and backward movement but limit rotation.

IMG_6454IMG_6455From constructive rest, hug the knees into the chest, allowing the lower back to spread out onto the floor. You can even feel , by your lowest ribs, the floating ribs, the sensation that a pair of wings is unfurling. Then, hold onto your knees, and practice wave breathing: on the inhale, gently allow the knees to pull away, just until the arms straighten and on the exhale, gently pull the knees towards the belly, aiding in the removal of the air; this action is like a bellows. Noticing here, the same rocking of the pelvis you observed earlier and noting now the feeling of the subsequent spinal movement. The knees into the chest are like a forward bend and the knees away from the chest create a subtle back-bend. 

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Seated in easy pose, exploring the 6 directions of the movement of the spine. Always like to pull out Bumpy Camel here, then side-stretch, and seated twist. Move onto hanIMG_6464IMG_6461IMG_6460ds and knees to explore this again: cat and cow (once again noting the flexion and extension of the spine), easy kneeling twist with a chicken wing pose and dog looking at tail pose (for side stretch).

Child’s Pose to Baddha Konasana to Hero’s pose and the discussion of the difference between this position of the legs in relation to the body vs. “W” Sitting (see http://www.skillsforaction.com/w-sitting). Start with the simplest variation of Hero’s pose. To note as you progressed through the pose, you might need to add props if you are not able to sit comfortably on the floor. Some people might be comfortable enough to continue on into Supta Virasana- Reclining Hero’s pose (this of course can also be done with props to attain the full pose). Use the first two poses as preparatory poses to doing Hero and to note some of the benefits of Hero’s pose are : Stretching of the quadriceps; Keeping the knee joints healthy; Keeping tendons in the back of the knees properly aligned; Strengthening the tops of the feet and ankles; Strengthening of the arches and broadening of the sacrum.    

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Standing now. More arch work with Scrunches and Toe Lifts. Imagine you are standing on two silky scarves, one under each foot. Try to scrunch up your foot as you drag the scarf towards your heels. Do this 5 times in a row, 4 quicker attempts and then on #5, a longer hold. Relax the foot and then lift up all ten toes and flare them open, keep the heel and the ball of the foot on the floor. When laying the toes back down, first time is a regular drop, second time, you try to drop the toes baby toe first to the big toe, one at a time and on the third time, you try to drop the big toe first down to the baby toe. I then repeat this whole sequence once or twice more (scrunches through toe lifts). Even if you cannot actually drop the toes separately, just try to imagine that you are doing it. Sometimes the brain needs to tell the toes what it wants them to do to teach them.

Tree on a block. A fun variation of tree pose that adds a little challenge and a little more focus on the core stabilizing muscles that wrap around your lower spine and help it plant deeply into the pelvis so the two parts of your body can work harmoniously. Most physical movement requires a rotation of the torso. Our core muscles actually form an X across the front and back of your body. This means the body acts by connecting the right shoulder with the left hip and visa-versa. From your neck and your upper back, around the sides of the body, through the upper rib muscles, that lift your arm pit, wrap inwards, travel towards the opposite side of the body. They pass by the hips, criss-cross then end up in the opposite thigh. Known as the Serape Effect.

Brief History of Flamenco as imagined through the migrants from India, who arrived in Spain in the 15 century, and came to be known as the Gypsies. These people are believed to have been composed of three groups/castes: metal smiths working in iron, copper and bronze; practitioners of animal husbandry such as horse doctors, farriers and dealers in live stock; and entertainers such singers, dancers, conjurers, magicians, jugglers, fortune tellers and acrobats. These fiercely proud nomadic groups, divided into two major migratory routes with one faction heading northward towards Russian along the Caspian coast and the other faction heading southward through Iraq, Persia, Egypt, Arabia and North Africa before arriving in Spain via Mediterranean Sea through the Straits of Gibraltar on trading vessels and overland caravans trains, known as kumpanias. Both the music and culture of these people were highly influenced by the cultures they had reached along their journey and the melodies and rhythms alive in the culture of Spain that the gypsies heard upon their arrival planted the seeds for the birth of the art of flamenco. Flamenco has evolved as a forceful and exciting art form. It involves both physical and emotional intelligence and is a dance form characterized by hand clapping (palmas), percussive footwork (tacaneo), intricate hand (floreo), arm (braseo) and body movements combined with a highly tuned in emotional structure that spans the deepest songs of the original gypsies through the styles influenced by Cuba and South America all the way to today, with traditional flamenco being fused with jazz, pop and World Music styles. Without dispute, flamenco is the most familiar form of Spanish dance. With its fire and intensity, its insistent rhythms, its soulful guitars and its passion, it has the power to draw people in and after watching a performance, everyone is ready to strike a pose and stomp their feet. ¡Olé!


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Dance In The Schools 2015: Life Cycle of the Yoga Butterfly

Waiting For Wings by Lois Ehlert

Today was the final day of Dance In The Schools 2015 at the Baldwin School, Cambridge. My classes were based on the life cycle of the butterfly (current with the 2nd grade science curriculum) and the concepts of senses we know (touch, sight, smell, hearing and taste) and then the ones we don’t know as much about (proprioception= an awareness of our bodies in space and the vestibular system=balance, gravity and movement information though our inner ear).

The best thing about yoga is that it allows for a sensory experience in a safe/non-competitive environment. You can manipulate your body in space, using poses, breath and meditation to clear pathways to achieve balance.

Breathing Sticks (once again, I noted to them to practice their breathing once they got their sticks)

Sa-Ta-Na-Ma meditation

Waiting for Wings/They have eggs to lay...What is the Butterfly Life Cycle?

Egg (usually laid on a leaf)

Larva/Caterpillar (eats leaves to grow)

Pupa/Chrysalis/Cocoon

Adult butterfly/moth

What is metamorphosis?

Interesting facts:

  1. Butterflies are active during the day feeding on flowers. They suck up the sweet nectar with their long, curly tongues. That is because butterflies cannot bite or chew.
  2. There are about 150,000 kinds of butterflies and they and their caterpillars come in all sorts of colors and sizes.
  3. Butterflies Like all insects, they have six jointed legs, 3 body parts, a pair of antennae, compound eyes, and an exoskeleton. The three body parts are the head, thorax (the chest), and abdomen (the tail end). Most have four wings. The wings of butterflies are covered with tiny scales that seem to shimmer in the daylight. Some of them are brightly colored. Others have bold patterns or scary eye-spots. When a butterfly flashes its wings at its enemies, it confuses them, and gives itself time to escape the danger that they might be in.
  4. Butterflies and moth belong to the order Lepidoptera. Lepidos is Greek for “scales” and ptera means “wing”. Monarch visiting Mums

Waiting for Wings by Lois Ehlert

Out in the fields, eggs are hidden from view. Child’s pose

clinging to leaves with butterfly glue. Stretching child’s pose. Fingers crawl to the left and right to stretch sides.

Soon caterpillars hatch. They creep and they chew. Creep forward into inchworm.

Each one knows what it must do. Press up to cobra. Add hissing and snaking back up and down.

Find a place where winds don;t blow, Locust.

then make a case in which to grow. Bow.

Caterpillar changes now begin– Rock and roll on belly, release. Rise up to standing position.

body and wings take shape within. Tapping.

When it’s time, each case is torn– Willow tree and joy breath.

wings unfold; new butterflies are born! Star Pose.

They pump their wings, get ready to fly, Add cross body kicks.

then hungry butterflies head for the sky. Yoga Jumping Jacks.

Looking for flowers with nectar to eat, Standing flower pose (tree)

they catch a whiff of something sweet.: Join a partner for partner tree/or group tree

They follow that fragrant scent of perfume, Melt to the floor. breathing in and smelling the delicious odor of fresh flowers 3x.

until they find our garden bloom.: Seated flower

We’ve been waiting for wings! Seated bat (opening flower)

We watch them circle, land on their feet, Lay on back and hug knees to chest. Legs up towards ceiling, as if walking on ceiling. Foot circles, both directions. Point and flex and then walk on ceiling and then bicycle.

unroll their tongues, and begin to eat.: Rock and roll. Grab feet, happy baby.

They dip and sip, Feet down. Simple lying twist.

then fly away, back home to the fields… Full body stretch-like a gingerbread man.

They have eggs to lay.: Savasana

Song (sung to the tune of Pop Goes The Weasel)…I tried!

I spin and spin my chrysalis

I stay inside to rest

When I come out….Metamorphosis!

Pop! Goes the butterfly.

Of course we then did a rousing version of Yogini Went to Sea and then the Downward Dog Crawl Tunnel. Not taking into account the size of the room, proved to be a stumper for a moment. But I offered up the challenge to the class and we  were able to create a circle, which worked very well! I so appreciated the first groups problem solving ability!

Please enjoy the wonderful gift I received:

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Ole! Namaste!


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Emotion Cards: How to Dance With Heart (or how to access your emotional body while dancing)

Last night, I attended Ainoa performance in her school’s International Night event. I am so impressed with this event. First of all, it is a night solely represented by dancing-boys and girls alike and there are dances representing at least 12 different countries such as India, Mexico, Iran, Ireland, China and Peru. Ainoa’s dancing has reached a new level. She has found her self within the music, knowing the choreography, understanding the rhythms. We can call this the comfort zone. So now we attack the emotional content and how to express it to the audience.

Seated yoga sequence to balance the chakraschakra-flower-672x1024

Muladhara Chakra- root chakra- color red

  1. Easy pose (habitual cross leg first-both of us chose right over left). Feel sit bones. Show on skeleton model, where the sit bones are (Remind of the wrap of the psoas muscle and the Nerf ball.) Recross to non-habitual side and feel sit bones.

Svadhistana Chakra- sacral chakra- color orange

  1. Upavishta Konasana, with legs only as wide as the mat (short ways), with bolster under knees. Just resting arms on upper legs and letting head drop forward.
  2. Butterfly pose.

Manipura Chakra- solar plexus chakra- color yellow

  1. Easy seated twist. Right leg in front, right hand holds left knee. Recross. Left leg in front, left hand holds right knee.

Anahata Chakra- heart chakra- color green

  1. Bolster under shoulders and then moves after 3 breaths down the spine. Stopping and always taking at least three breathes in each spot. End with bolster under hips and do knees into chest. I pointed out to her that this is a back bend too. At first she did not believe e as she sees wheel as the only back bend, but I had her close her eyes and I told her to imagine she was standing on the edge of a pool and by leaning back, she was going to be able to dive in backwards. I could just tell from her energy shift that she was getting it.

Vishudda Chakra: throat chakra- color blue

  1. Ocean breath, in constructive breath, on in breath still holding, knees go out and on out breath pull knees back in towards chest, like a bellows.

Ajna Chakra: Third-eye chakra- color purple

  1. Release legs and let them rise to the ceiling (Make your body into an “L” shape-do not do shoulder stand). Make ankle circles in and out. Point and flex feet. Re-hug legs into chest.

Sahasrara Chakra: Crown of the head chakra- color white light/ glimmering diamond

  1. constructive rest. 1 minute mindfulness meditation.

Savasana- Chakra balancing

  1. Conscious rest

ZM-15Emotion Cards: How to Dance With Heart (or how to access your emotional body)

I started to create a deck of cards that have emotions and energies written on them.

I chose words that I felt were evoked during flamenco dance and by listening to flamenco music:

Adoration, Anger, Despair, Determined, Energized, Fatigued, Fury, Grief, Happy, Sad

These cards jump started Ainoa and she started to create her own deck, where she then proceeded to create her own definitions and how they could relate to dance (they key words are underlined):

Angry: scrunched up face; angry eyes; eyebrows narrowing; eyes on fire

Calm: laying on the couch and watching TV.

Clumsy: bumping into things.

Curious: wanting to uncover something.

Determined: refusing to quit.

Happy: smiling, jumping, breathing fast.

Funny: you can make people laugh or other people can make you laugh.

Mysterious: lifting up one eyebrow; skulking; looking everywhere

Nervous: you have to perform in front of 3,000,000 people.

Pushed: feeling forced to do something

Sad: someone died; crying; eyes drooping; looking down; not really moving; dancing energy in down

Scared: you see a monster.

Suspicious: not believing what someone is telling you.

Identify flamenco emotions. Choose three or four emotion cards

Looking on youtube for

    1. Silvia Moreno: bulerías https://www.youtube.com/watch?v=H_5PT1rwQEA
    2. Merche Esmerelda: Guajiras (Saura) https://www.youtube.com/watch?v=u_fZdzw_4v4
    3. Rocio Molina y La Tremendita: Bulerías https://www.youtube.com/watch?v=ZYaY4zZgTas
    4. Miguel Poveda y La Lupi “Triana, Puenta y Aparte” Tangos de Triana https://www.youtube.com/watch?v=pcbDYPO-uAU
    5. Tangos de la cava en Triana (El Titi) https://www.youtube.com/watch?v=bwc_pzvP3G4
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Ainoa and Eve Sevillanas